¶ … painting takes on a two dimensional form. The shapes within the paining are organic as none of them appear symmetrical and are irregular in outline. Although the images in the painting are realistic as they are a snapshot of what would happen on an average day in an open road, the manner in which it was painted makes it seem a bit surreal. The darkness enveloping the road and the cars as well as the focus coming from the view where the cars are behind almost evokes a sense of being in a dream.
The position or perspective from which one sees the road behind provides emphasis on the headlights of the cars but also removes focus from the road. The character can either be interpreted as the cars or the trees. The cluttered background deters from the main subject focus confusing the viewer. The lines seem jagged and harsh perhaps due to it being a finger painting.
Subject:
This oil on canvas painting portrays a darkening day with the road and cars being the focal point. Although the subject is supposed to be the landscape as described by the artist, the road and the cars appear to also bring in focus. Scott mentioned the sounds of noisy cars as being part of her inspiration, the use of cars on the road looking quiet amidst the dark background seems to play opposite of that. Perhaps the quietness...
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
Art Critique Critique of Surreal and Post-Impressionist Works of Art Dali's Autumn Cannibalism (1936) http://arthistory.about.com/od/from_exhibitions/ig/dali_retrospective/dali_pma_05_07.htm Salvador Dali is one of the great and mercurial figures in art history. The surrealistic Spanish painter was influenced heavily by the tumultuous period of history in which he lived and by the haunting images in his own psyche. Both are on dramatic display in the 1936 piece, "Autumn Cannibalism." Here, Dali paints a depiction of the military
The basis of collage with is associated with humor and entertainment forms its captivating content, an element for passing its information. Materials that are used for collage are normally readily available old objects that have been disregarded. Use of new materials in the art is not restricted but again not considered to add value to the collage work. It is thus a considerably less expensive process as compared to
There is a juxtaposition of the real and the unreal: the viewer recognizes a cliff in the background and the table top seems normal, but melting clocks surely do not. The composition is ironic in the sense that the subject matter seems real and concrete but the images are conveyed in wholly unnatural ways like they would be in a dream. As Gamboni as well as Chipp and Selz state,
Art Critique June Morning (1945) Thomas Hart Benton's June Morning imbues the reader with emotion from first glance to closer inspection. At first, the painting feels a bit dark as a summer storm is rolling out of this rural setting. The sky to the right is still filled with dappled gray clouds that arc in bands to the left. The left sky glows lightly golden behind the arms of clouds stretched across
Impressions of the Ohr-O'Keefe Museum of Art The non-profit Ohr-O'Keefe Museum of Art -- located in Biloxi, Mississippi -- was recently commissioned and constructed to honor the legacy of ceramic artist George E. Ohr. According to the museum's website, "the self-proclaimed 'Mad Potter of Biloxi' created a body of ceramic work which defied the aesthetic conventions of 19th century America & #8230;while today Ohr is considered an early leader in the
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